Everyone’s talking about their goals for 2021. I started listing a few in my head.
Blah, yadda, yak yak…
I realized that while I could easily come up with several “do mores” and “trys” and “improves” for sewing, I really just need to do one thing.
I need to be present in the moment when sewing.
I have had a lot of time this month to sew and have made a few things – home dec projects, PJs, tops. I’ve had whole weekends “sewing” and likely will have many more during this epidemic, where we can’t go anywhere or do anything, as the snow piles up outside.
These projects still seemed to expand to fill the available space. That’s because I have not been “present” while sewing them.
I finished this top today, for example:
I started it the evening of December 22. Hey five days – not bad. But why did it take five days?
I cut out a few pieces, then I get a snack. Then I cut out a few more and check my phone. I take the dog for a walk. I make a move in Scrabble against a friend online. I press some seams. I read some texts. I serge a seam. I make a phone call. I set in a sleeve. I check Instagram. I turn up a hem. I put on some music. I make a buttonhole. I have another snack.
When I sew like this, the project suffers. I make mistakes. I forget what I am doing. I unpick a lot. The fabric gets mishandled and wrinkled and stretches out. I waste electricity with a sewing machine and iron at the ready, but not in use.
Worse of all, I don’t feel like I am enjoying sewing for what it is – I feel like I am sewing to fill up time, to while away my days instead of as an intentional act to create something for myself that’s both useful and beautiful. I don’t take pleasure in it. And that’s no good for me.
So my 2021 resolution is simply to be “present” when sewing – put away the phone, turn off the music, resist the siren’s song of the fridge, and just be there with my machines, my fabrics, my patterns, in a deliberate and mindful harmony.
Can we just stat by saying that in the entire suck-a-thon that’s been 2020, there’s no such thing as “fail?” There are just things that didn’t go the way we want them to go. Which is pretty much everything.
Still, in taking stock of some sewing projects that went awry, I must acknowledge a few projects that failed. Part of the “fail” comes from my attempt to try new things – new patterns, new “looks” – that didn’t really pan out for me. I suppose this is what happens when you have a decent stash of patterns and fabrics, and too much time on your hands.
I started with some free summer skirt patterns. While neither of these is a “fail” exactly, they both required substantial work from me to make them wearable. That is, way more work than I’d bargained for.
The blue and white skirt is the “Justine” from Ready to Sew. It had some serious errors in sizing, drafting and construction (gory details here). On the right is a free A-line skirt from Bernina’s short-lived patternmaking software. Really just the worst experience – sizing, drafting, instructions all crap (gory details here).
But – at least I busted my embroidery unit out of its box again and managed a 12-color design for the pockets – it only took four tries to get it right:
Next up are these shorts from Vogue 9246. I thought the asymmetric mock wrap look would be cool – trying to get the “edge” back in summer my wardrobe after all those girly skirts. Unforch, the mock bit just looks weird, not chic – it kind of balloons out awkwardly. Perhaps in full-length pants it would work, but for shorts it’s a no-go.
This McCall’s 2094 top out of stretch poplin isn’t the greatest either, but at least it’s wearable. I made a lot of mistakes with it – I somehow put the buttons in the wrong place, and I didn’t cope well with the fabric’s stretch – the hems and facings are wonky AF.
This next project was so bad I didn’t even blog it: Kwik Sew 3926.
I saw someone else had sewn this pattern, and it looked so cute. I needed new slippers. I had lots of scraps around to make some. So I gave it a try. They fit way way way too wide and are hellaciously uncomfortable to wear. They went into the donation bin right away.
My final and most devastating fail, though, is this Faye dress, from the Fall 2019 Fibre Mood magazine:
Gory details here, but the summary is this – this was an expensive dress that was a lot of work and used a lot of fabric. But the hem is irretrievably messed up and therefore unwearable.
The fault is all mine. The rayon challis I chose is too unstable for the bias edges of the hem. It keeps stretching and growing, and I cannot make it straight. I might turn it into a top at some point, but for now it sits in my closet, judging me…
I started 2020 intending to sew a new suit for work out of from Armani deadstock, and wound up with four pairs of elastic-waist pants. 2020 – gotta love ya!
Seriously, I am happy with the pants I made from Jalie’s Eleonore pattern. Definitely a Top 5 project for the year. They’re pull-on mock jeans made with fabric that has at least 20% stretch. They look like nice yoga pants and skinny jeans had a love child.
I made these shorts and a full-length pair, which I slashed and spread from knee to hem to create flares.
Most creative project goes to another pair of elastic-waist pants – the “Discover Something Novel” pants from The Cutting Line – a 1980s fever dream of a garment.
These put a smile on my face – every time!
My other “bottom” triumph is… another elastic-waist project… Style Arc’s Gorgeous Gore Skirt.
I was really proud of myself for figuring out how to get good pockets in a knit skirt without the pockets distorting or pulling. The secret was to sew the pocket bags in a stable woven fabric and secure them within the gores of the skirt.
The runner-up for best project of the year is… wait for it… face masks!
<<<Sad trombone music>>>
Well, they are not the most sophisticated things I’ve sewn in my life, or even this year, but they were pretty important. I made about 200 (lost exact count). Most went to friends who are nurses – one at a nursing home and one at a veteran’s hospital. I hope these masks saved some lives and also made people smile, with the cute fabrics I chose.
The #1 project for 2020 – PERSIST!
This is one of those projects that kept me sane during the spring and early summer, when the world was going to hell. They were a joy to make and a joy to give to friends who are all helping one another persist through various challenges – health, career, marriage and financial.
Most of the things I made this year were quick projects to fill needs. These I made to last a lifetime.
I’ve knocked off a few more garments for my winter work-at-home wardrobe – all designed to look good on videoconferences while being ease to sew, take care of, and comfy.
First up – the Harper Cardigan/Jacket from Style Arc.
I bought this poly-rayon-spandex ponte some years ago, intending to make a dress for work with it. Then I realized I didn’t want to wear something so hot and heavy, not to mention raspberry pink, so the ponte went back into the stash.
I figured I could use 1.5 yards of it to try this simple jacket, which I got for free from Style Arc when I bought something else. Three pieces – what could go wrong?
Sometimes I feel like I am hypercritical of commercial sewing patterns. But there’s no overlooking the sheer number of odd things in this.
Issue #1 is the center-back seam, which you’re supposed to sew as a French seam since it can be seen from the outside.
Good luck sewing a French seam on a heavy fabric such as ponte. A flat-felled seam seemed more suitable, so that’s what I did (added .5 cm seam allowance to provide for a bit of extra room).
Then there’s the finishing issue. This has no facings or anything – in fact the pattern says you can leave the edges raw if you want to. I did not want to. I mean, that’s just dumb. So I dug out the manual for my serger and did a three-thread “rolled wave” treatment on the edges.
Then there’s the closure issue. This pattern originally came with some jumbo hook-and-eyes – you set the hooks in the shoulders and the eyes on the tips of the fronts. Since there’s no facing or anything to hide the hooks, the pattern provides a postage-stamp sized patch you’re meant to sew on to cover where the hooks are sewn on.
This is the laziest things I ever heard of. The design could have benefitted from a rethink – maybe a button and loop or a decorative tie would have made more sense? I played around with various fixes before saying the heck with it and sewing on ordinary hook and eyes.
Here it is closed, and you can see how the front pulls against the hook and eye on my shoulder. I will buy some larger hook and eyes when I get around to it – maybe – and try it again.
The next garment is a simple t-shirt out of a lovely rayon/spandex blend. This is Jalie 2805 – a pattern pack of four T-shirt options (jewel neck, V neck, mock turtleneck or Henley).
I like this pattern for the fit and ease of construction. I plan to whip up a few more this winter.
Finally, I made a pair of the Jalie Eleonore Jeans – a pull-on style made out of woven fabric with at least 20% stretch. These don’t take a lot of fabric, so I had plenty left over from my shorts project this summer to try a full-length pair.
The shorts were tight at the knee so I thought I’d made flares for my full-length pair. This is a simple change – just slash up the center to just above the knee, cut into each side to create a hinge for the leg, and spread.
I added length at the hem also. No picture of the finished project, sorry, but they are comfortable and look nicer than a pair of yoga pants for working at home.
I now have half of my six projects done! (Well, technically that dress is not done but I just cannot with it right now).
Next to “old” (as in, “that style makes you look old,” or “that style ages you,” the next biggest put-down in fashion is the term “unflattering.”
“Unflattering” can mean:
Too big or baggy, meaning “we can’t see the shape of your body.”
Too small or tight – meaning “we see parts of your body we’d rather not see.”
Out of proportion with the wearer’s stature, meaning “we think you look short” or “wide” or “fat” (never “you look tall” or “you look slim”).
Out of proportion with the wearer’s secondary sex characteristics, meaning “we can’t make out your breasts, butt, hips” etc. (This includes “the male gaze.”)
Shaped or cut so that the desired body form is obscured, meaning “we want to see a normal body,” (whatever that is) or “we want to see you the way we usually see you.”
Don’t surprise us or challenge us, whatever you do.
“Flattering,” then, comes down to how others see us. After all, when someone flatters you for your brains, looks, accomplishments, character or any other trait, they’re really talking about their reaction to you.
You can’t flatter yourself.
Of course, you can wear and enjoy things that you think look good. You might wear those garments hoping to get compliments – fishing for flattery – or you might wear them because they make you feel happy, powerful, smart, kind, capable, or any other way that you want to feel. Or maybe you don’t want to feel anything in particular – you just want to put on comfortable clothes and get on with your day.
Which all leads me to this look:
This top is the Brasov Wrap Top from Itch to Stitch. The pants are the “Discover Something Novel” pants from The Cutting Line. One guess which is the “flattering” and which the “unflattering” garment?
This top is designed to be flattering – a wrap style in stretchy knit that sits close to the body. It’s designed to make breasts and waist and hips stand out – textbook “flattering.”
The pants are the opposite – they sit away from the body, obscuring legs, hips and butt. Their width actually makes it hard to imagine the body parts inside. Surely I have legs and a butt, but where?
How dare I wear something “unflattering!” Don’t I realize that my body should be on view as much as possible for other people to look at and enjoy (as long as it’s conventionally “attractive” that is)!
Today I wore these pants to go shopping. I picked up some buttons and other items at a vintage store. I bought a sweater at a boutique. I stopped in an art supply store. I got groceries. And in all four places, I got compliments on these pants. WHAT? Aren’t they “unflattering?” How can someone lay some flattery on me then?
Because these pants are interesting, that’s why.
What’s more, I wear them for me and for no one else, and there’s magic to that.
Most people walk around in a state of total conformity – normcore jeans for miles, maybe some leggings or yoga pants at a stretch (and almost always in black) – and they are all ignored. Seen it a million times, dah-ling – and will see it a million more. But wear something different, and people react. Maybe the garment elicits an emotional reaction – makes someone smile, perchance, or makes someone frown – or maybe it makes someone think. Maybe these pants make Gen Xers like me nostalgic for the 80s. Or maybe someone thinks a Gen Xer like me is stuck in the past. Who knows? Who cares?
Anyway, it’s better than plain old flattery any day.
And if you really want someone to react, when they compliment you on your traditionally unflattering garment, say “thank you, I made them myself” and watch their eyes bug out of their heads. And enjoy the satisfaction of that!
Well, that’s not true. I like that .pdf patterns exist, I just hate the test printing, the messing around with the printer, the real printing, the cutting off of margins on two sides of the paper, the taping, the retaping when the first taping is cockeyed, and finally the folding and storage when the pattern is used. And I hate the additional cost of paper, ink, tape and storage envelope on top of the pattern I bought already.
As they say in ever infomerical ever: “There’s got to be a better way!”
I don’t know if this is a better way, but it’s a slightly less annoying way.
I started by laying out a cutting table’s worth of pieces. This pattern – the “Brasov Wrap Top” from Itch to Stitch, has 30 pieces of paper – thankfully with nested .pdf pages so I just printed out the sizes I needed. This is 18 pieces of paper:
I looked over these 18 pages and identified several pieces that had odd shapes – bits and pieces of larger pieces, like the tip of the shoulder or the edge of a hem, with a page that was otherwise blank, or that had other little bits. I cut those little pieces out, taped the little pieces to bigger pieces, and threw the excess paper in the recycling bin.
To cut I used my rotary cutter with an old blade that I’d saved especially for this purpose.
Many pieces are mostly pattern with little bits gone, so those are good to go and I tape as usual, but without trimming margins! Here’s how:
I printed this on cheap copier paper – I mean the cheapest stuff at the office supply store – the stuff that’s in a sad pile in the corner in a plain paper wrapper, as far away as possible from the glossy, bright white expensive stuff. This paper is kinda see-through. So, instead of trimming two edges of the paper, I just looked through the paper and lined up the margins. Hard to see in a photo, but here it is on a finished pattern piece on a dark fabric.
I needed less tape this way because I was just taping the piece, not the whole sheet of paper.
I think this 30-page top took 15 minutes to put together this way instead of at least 30-40 minutes with the old trim-tape-cut method. And it went together right the first time, without having to retape anything crooked.
I don’t know how well this would work – happy to say it did! I am not sure how well it would work with a multi-sized pattern, or with a very complex pattern.
I’ve noticed that garment sewists tend to fall into two camps – your “pattern people” and your “fabric people.” That is, sewists tend to be attracted to either a pattern or to a fabric, and then they seek either a complementary fabric or a pattern that would work to make the garment.
How about you? Do you gravitate FIRST either to a pattern or to a fabric?
Whichever hits you first – fabric or pattern – it can provide a good jumping-off point for organizing projects that satisfy you, without wasting time or money. I thought I’d share my fall 2020 sewing plans by way of example.
Personally, I am a pattern-first type, because I tend to sew what I need rather than be inspired by a certain look or textile. Here’s my system, which can be reversed to a fabric-first approach easily enough:
I start each spring and fall season with a list of what I need – pants, shirts, coat, whatever. I go through my patterns to see what fits the bill. I am a paying member of PatternReview.com, so I catalog all my patterns using the site’s “pattern stash” feature, which allows you to sort and organize all the different pattern formats in one place. (Screenshot of part of my pants stash below.)
Yes, I only have 10 pants patterns. I also have some pants under Big 4 wardrobe coordinates patterns – those are filed separately (I don’t love this feature, but them’s the breaks). I am not a big stash person in any event – I prefer to buy what I need. Of these eight pants patterns listed above, I have sewn up five of them. The Claryville Jeans and Style Arc Jasmine pants are TNTs. I’ve sewn the Jalie stretch Eleonores, McCall’s 7726 and Vogue 9181 once each and have not yet tried the Ginger Jeans, Vogue 9155 or the MariaDenmark Sysiden pants.
If I’m not really feeling anything in my stash, I check out websites and reviews. PatternReview has a “wishlist” feature where you can tag a pattern you might want to buy later. If I see a great review or just want to remember a promising pattern, I throw it in the wishlist. Here’s what I have for pants at the moment:
Any pattern I would need to buy goes into a “maybe” pile for the moment, with a note about the cost.
Next, I go through my fabrics and other stash items (zippers, buttons, etc) to see what I have and what I need to buy to fulfill the plan for patterns I have on hand already. I keep a photo album with fabric swatches stapled to index cards that note the yardage length and width, composition, where and when I bought it, prices, etc. I intentionally keep a small stash and prefer to buy what I need when I need it.
Any project that’s fully in hand goes into the “My Queue” feature on Pattern Review because I am ready to go.
If I need to buy fabric, that project also goes into the “maybe” pile (with notes about the cost).
Now comes the reckoning. <<Cue dramatic music>>>
What do I really need vs. want?
How much do I have to spend, and how should I spend it?
If I have $100 to spend, would I rather buy that new pattern and less fabric, or buy more fabric and sew up patterns I already own?
How much time to I really have to sew for the upcoming season?
How much effort do these projects require – complex things like jeans? New patterns that require fitting and fussing? TNTs that go together easily?
I settled on these items for the plan:
I am fond of plotting out my projects on a grid based on cost vs. effort. Here;s what that looks like:
These are mostly “needs” and mostly stash fabric and patterns. Because I was being thrifty for most items, I realized I could spring for a few new patterns and one indulgence project. The upper-right corner is the indulgence – the “Faye” Dress from last fall’s Fibre Mood magazine.
Do I need this dress? No. Is it going to be a lot of work? Yes. Will it cost a lot of money? Yes (it takes 4+ yards of fabric). But I wanted it the moment I saw it, and I still want it. It has been on my mind for a year. I think it’s worth the time and trouble.
Armed with a solid plan, I was ready to shop! I made a trip to my local fabric store and scored this gorgeous rayon challis for the dress, which scores high for hitting several requirements for an “edgy” work wardrobe with its high-contrast, high-drama, animal-inspired print.
I bought 5 yards because I may need some pattern-matching. It’s a nice weight though, so I won’t need a lining. I also picked up zippers, buttons and other items I needed. For other items, I waited until there was a good sale and placed my order. The planning phase saved me money and time – one in-person shopping trip, one online shopping session, and I was done..
How’s your summer going? Things have been busy here. In no particular order:
Sewed a summer wardrobe.
PatternReview.com had a summer contest to sew so-called “Endless Combinations” where each item has to go with two other items. I sewed eight things in all, built around my need for some professional-looking shirts for work videoconferences and quick comfy shorts and skirts for decent work-at-home looks.
I didn’t win the contest and didn’t try, which is a big step for me. Rather, I competed for fun and really enjoyed it as it fit with my plans and needs. I sewed 100% from stash too in summery hues of aqua and teal, white, black and gray. If you’re interested, the patterns are (left to right):
A: The Creative Cate Top from Style Arc in a poly knit that includes all my wardrobe’s colors, finished on the inside to help the cowl neck keep its shape.
B: Jalie Elonore pull-on shorts in black stretch twill – the slim fit goes with all the untucked tops in this collection and makes a great short for biking on my lunch break or after work.
C: A white poplin cotton top from McCall’s 2094 coordinates with anything! It includes pleated breast pockets from Butterick 5526, so that I can wear it with pocketless RTW skirts not part of this collection.
I had not been to the hairdresser since February. My roots grew out a few inches. My annual straightening could not be done because salons here are only allowed to do basic cuts and colors. I had been slicking my hair back into a ponytail each day ( see pictures above).
Finally I went to the salon and got this:
My husband hates it, but then I explained to him that this haircut literally and figuratively was a weight off my shoulders, and I think he got it. Or at least accepted it. Hey, it’s only hair, it grows, and I can always dye it and grow it out.
So those are the fun things around here.
Some not-fun things have included:
3. Activist activities.
I’ve read and attended lectures about racism. Learning about racism has taught me a few things I’d like to share. One big issue is the way white people tend to regard racism – they tend to think racism is only super obvious hatred for Black people -like Klan-level, cross-burning types of hatred – and ignore subtler racist acts. It’s all racism, people. If you don’t know what microaggressions are, for example, that’s a good place to start to learn, identify bad behavior and change your own.
White people also tend to ignore racism when they see other people or situations perpetuating it. We tend to think it’s not our job to speak up. Of course it is! Say something! A couple of recent examples from my life:
At the grocery store before the 4th of July, I saw a boxed fireworks kit that had obvious racist imagery under the name “Savage Fireworks”. I am not going to post a picture of it here, but trust me, it was disgusting. I called over the (white) store manager to complain. She thought I was complaining about selling fireworks at all, and I had to literally point to the box and say “That is disgustingly racist and you should remove it immediately.” The look on her face when she finally saw it was priceless. She got a shopping cart and starting loading up the boxes. I certainly hope she didn’t put them back on the floor later but I didn’t check to be sure.
At the physical therapy gym, there are a bunch of solar-paneled bobbleheads in a sunny window. There are animal figures, cartoon characters, holiday-themes, and, yes, a “hula girl” complete with grass skirt and coconut-shell bra. I asked the therapist, a young white woman, if she thought it was appropriate. “I think it’s kind of cute,” she said. I asked her if she thinks her Asian or Polynesian patients would find it cute. She just looked at me, uncomprehending. Then I said, “Would you still find it cute if it was a Black woman instead of a Polynesian woman, or would you then see that it’s offensive?” She looked at it again and said “oh, I see what you mean.” She put it in a desk drawer.
These are pretty small examples of the kind of casual racism I am talking about – certainly not on the scale of police murdering Black people in the street, but still harmful and perpetuating stereotypes.
Also, I wrote emails to La Mia Boutique and Burda Style, asking them why they don’t use nonwhite models and telling them I won’t buy any more issues or promote the patterns I have sewn until they do.
I also was going to email StyleArc, which uses illustrations, not models. The illustrations are always of white women. Don’t believe me? Here’s a screenshot of all their patterns. Can you find any nonwhite women in these illustrations?
But lo and behold, how did StyleArc promote its latest dress pattern?
So instead I sent a email commending Style Arc – saying it was “about time” and hoping to see many more Black models.
I have not received a reply from any of these companies, so we’ll see.
A sewing friend from Canada took issue with my emails, saying that it’s unfair that someone from the United States (me) expects sewing pattern companies from other countries (Italy, Germany, Australia) to confirm to what she called “American sensibilities.” Guess what? There’s racism and bigotry in other countries. There are nonwhite people and models in other countries. These companies have nonwhite customers. Nonwhite people are people and must be included, not pandered to with tokenism or dismissed with Continental shrugs. I also expect pattern companies to show models of different ages, body types, abilities and other dimensions of our human race. It’s the right thing to do.
4. Health crap.
My work to fix my shoulder and posture was really paying off earlier this summer. Through daily exercises and stretches, I had leveled off my shoulders quite a bit and was standing taller:
And then I started feeling pain in my right knee. I put off going to the doctor because of Covid-19, but finally I went, had an MRI, and found out that I have some gnarly arthritis in that knee. So then I got the shoe orthotics, the physical therapy and the dietary supplements “for joint health.”
I will probably work at home through the end of the year. Without my job in New York City, I find myself adrift…
My “work” style and my “home” style are, well, two different styles. What’s why the same person who made this:
Also made this:
Its’ said that true style comes from knowing who you are. So who am I?
I’ve never really felt that I fit in at the office, but I have played the game well enough. Everyone in New York dresses in black – often head to toe, year-round – so the “edgy work look” like the above was born. I needed to fit in and look tough. Eat broken glass and rusty nails for breakfast? You bet I do.
At home, though, I like more variety in color and style. I am not really an “edgy” person, though I like some edgy things. For home clothes, I like things that are clean and simple – hold the fripperies. I like nature, science, art – geeking out is a favorite past-time. Eat homemade yogurt and home-grown berries for breakfast? You bet I do.
I don’t know who I am.
I somehow am both of these people.
So I have two styles that don’t play well together.
I need a few things for spring and summer. Decided to make May “The Month of Bottoms” and June “The Month of Tops” for efficiency’s sake. A comb through my stash, however, revealed a problem. Most of the fabric was more in the “edgy” than “non-edgy” buckets.
I had three yards of these two fabrics earmarked for dresses. Don’t need dresses now – maybe skirts instead?
For tops, I guess I can make some black or white T-shirts or simple button-downs. That’s exciting.
And I need new shoes. Oy. And a haircut. Double-oy. My roots are grown out 2 inches, and I am very tempted to get a short haircut and stop dyeing it – that is the home “me” but definitely not the office “me.”
The longer-term issue is: how can I get a job and a life that better complement each other? Which of these people am I, really, or am I a third person who doesn’t show up in either? Is 50 too late to “find yourself?”
I am happy that I met all my sewing goals for 2019 and ended up with quite a few useful and well-made pieces!
My single biggest achievement (and #1 garment for 2018) was actually a three-fer. I made jeans! And I used the embroidery attachment of my machine for the first time! And I went to a sewing retreat!
The jeans are Workroom Social’s Claryville Jeans. I can’t say enough awesome things about this pattern. LOVE. And as the jeans have worn (I have worn them a ton since I made them in September) they have conformed nicely to my bod.
Here’s another look at the embroidery on the back pockets:
While the sewing retreat part of the jeans-making experience wasn’t for me, I am glad I did it. I learned a lot about myself and I have been thinking about how to apply that learning to next year.
Another goal was to make a garment for my mother. I made her a top from Lekala patterns, and she liked it so much, she asked for another one, in fancier fabric that she can wear for Christmas/New Year’s events. I sewed this up for her birthday in December.
She picked out this gold polyester satin. Not the best, but I made it work. It looks better on than in this photo (I promise). I used the fancy buttons I got at LouLou in the Garment District in NYC.
I took the “RTW Fast Pledge” and made a goal to not buy any clothing except for things like socks and tights. I would have made it, too, if not for my vacation in May! It was so cold (unseasonably and unexpectedly) that I bought a few things on an emergency basis. I donated both jackets to a charity that provides coats to the poor, and I have worn the sweater a few times. So…. I am going to call this “a win!”
Here’s my biggest swing-and-miss from 2019: I didn’t do so well in my resolve to participate in fewer sewalongs and sewing contests. I get swept up in the excitement and camaraderie. I also hope to make new friends this way. It doesn’t seem to work out that way.
I had planned to enter this contest – and this contest only – but then I went on a binge of other sewalongs, contests and such. What happens when I do this? Let’s just call it a mixed bag:
I arranged the overlapping front pieces so that the motifs would scroll along at the hem and hip.
The tunic top again, this time with the Seamwork Moji pants
I mean, there are no disasters here, but also not much that plays well with “sew edgy” looks. I did some stuff for charity (napkins and scrap quilts center top) and I passed the first round of the PatternReview Sewing Bee with that blue cardigan before bowing out voluntarily when the second round didn’t inspire me.
The white top was not what I wanted. I entered a contest to make an outfit, so made a nice pair of black wool pants and planned a button-down shirt to go with it out of this pretty white striped shirting I bought. But, I had a problem with my sewing machine’s computer and it was in the shop for a couple of weeks, so I needed instead to do a top that I could construct on the serger or by hand. This top is the result. It looks really awful untucked, better tucked in. I am kicking myself that I used that shirting for something I don’t love.
I joined two Sewcialists sewalongs – one where I drew the color “coral” and other where I drew the word “funky.” I ended up with a wrap skirt (top right) and a top upcycled from a tablecloth (bottom left). Since these sewalongs really run on Instagram, and I am not an Instagram person, I miss out on the whole thing. Likewise for the charity projects for The People’s Sewing Army – if you’re not an Instagrammer, you get left out.
Finally, in my effort to stop making so damn many mistakes, I claim a partial victory. I have made my peace with the fact that I need to just baste a lot more. Basting does things that pinning does not (at least for me). So I resolve to baste even more in 2020!