Sew Edgy Winter Sewing Plan 2019 Edition

Instead of making new fall/winter “sew edgy” sewing plans, I am trying to still deliver on my plan from last year. When I make a plan, I expect I will accomplish about half of it. So, I planned for 10 projects, expecting to make about five. As it turns out, I did six.

Anyway, here’s the fall/winter “Edgy Wardrobe” plan from 2018 and how it shook out – I ended up with six items which can mix and match for outfits:

2018 fall sewing plan update

I ended up finishing heavy on the “cheap and easy” side of the grid and focused on  “needs” over “wants.” The one “want” – that goofy Japanese-style top – was the one fail in the bunch. The rest all have been great additions to my wardrobe.

Anything that didn’t happen probably died on the drawing board for a good reason – maybe I was iffy on the pattern, or I didn’t have the right fabric, or I lacked the time/energy/interest to get the thing done. I was also kind of indecisive about a few projects, but the fullness of time has sharpened my eyes.

Here’s why the plans fizzled out:

  • The navy wool fabric I’d earmarked for either McCall’s 6464 or Deer & Doe’s Arum is too heavy for a fall/winter dress. During the past year I’ve developed much more sensitivity to temperatures with the menopause hot flashes and whatnot. The fabric’s better suited for a jacket or maybe even a light coat. So it will sit in the stash a while longer.
  • I need a simple ponte jacket, but the Oki Style pattern is not going to play well with it. The Lekala one is the way to go.
  • The New Look skirt gave me trouble in muslin form. I found a true wrap skirt pattern that gives the same effect and is much easier to sew, so that’s the new direction (see below for more on that).
  • I still like that Burda dress, but the fabric I had earmarked for it is way too heavy and stretchy. Jersey dresses are not for me. I may have to forget about this one.

So… what does that leave me for this winter? I feel like my needs for work clothes are simple and few.

  1. I need a suit, so I am going to make one – but I am going to take shortcuts. I have some high-quality ponte in stash that will get me the look of a suit for less work and less fabric, and a lot fewer fitting headaches. I may jazz it up with faux leather to work on the “sew edgy” plan some more.
  2. I need a good workaday dress. The RTW ones I’ve worn to work for a few years are pretty worn out. So I am going to make one – but something simple and unlined. Maybe use some faux leather here, too.
  3. I also need a work blouse – something simple, again, but in a print for a bit of color and texture.

I started with the suit skirt – again taking the “cheap and easy” route. This is the Osaka skirt from Seamwork magazine (a Colette publication).

The two-tone look allows for some stash-busting fun. I had about 3/4 yard of stretch faux suede, which I used on the top. The bottom is black ponte. This is a bit bulky, truth be told. I am styling it with my black wool batwing sleeve sweater to even out the proportions.

The pattern calls for a reversible skirt, but I didn’t want any more bulk at this party, so instead I drafted a waist facing out of leftover wool twill from my Style Arc Jasmine pants. I tried a few stash hardware pieces on as a closure for this but nothing really worked well. Then I remembered that I’d picked up this vintage covered button set at my favorite second-hand store:

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Vintage covered button set – oooh

I gave it a whirl with a scrap of the faux suede. It barely worked, but …. success! (The fabric’s a bit bulky. Did I mention that already. Oh yeah, I did.)

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Covered button

It’s a cute look. I plan to do the same with the Lekala 4114 jacket – using scraps of suede for the yoke and cuffs (if I have enough). I also plan to add a zipper for a bit of bling.

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Lekala 4114

Peek-a-Boo Pleats

My “sew edgy” looks include high-contrast color schemes, so I have been itching to try a project using both sides of this lightweight denim:

I love the idea of these Thom Browne skirts with the contrast in the pleats (but not the preppy AF textiles). Could I do something similar?

Thom Browne skirts

Thanks for the advice on the McCall’s shirtdress. I decided the skirts were not for me, but you gave me a great idea to mash up the top with another skirt that wasn’t so full or so fitted. I found this vintage Butterick in my pattern stash – and I think it will work!

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Butterick pleated skirts, vintage pattern from 1991

The pattern is copyrighted 1991. What do you suppose the models are saying to each other?

View A: In this sexy mid-calf red skirt, I will audition for a role on Murphy Brown!

View B: Forget it, View A, you slut! A black pleated skirt is what Murphy likes!

View C: If I swap out this pendant for a crucifix and put on some rubber bracelets, I could wear my skirt to a Madonna concert!

You get the idea…

Anyway… I think I will try View D because it has fewer pleats and I think the center-front panel will flatter my bod better than pleats all around. The skirt has two pattern pieces and a waistband. The weird-looking giant notches are for sewing down the pleats. The front and back are cut on the fold, and then there’s a side panel to give the skirt some shape.

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Two pieces, plus a waistband. Easy!

I will need to cut the pattern pieces on the foldlines of the pleats and add seam allowances. I pleated the tissue pattern and marked the different sections.

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Skirt tissue mock-up

This seems easy, but the issue, of course, is the grainline. The pleats don’t follow the grainline, but they’re close. See the grainline on the left and follow the pleats – you can see through the tissue to the grid cutting mat.

I marked each colored section as black or white and marked the grainline for each. Some of the pieces will be cut a little bit on the bias. That will be a fun challenge. I assume I need to follow the grainline of the original layout, right? If anyone knows better, please speak up!

Anyway, I am going to make a muslin to see if this is even worthwhile. My mother-in-law gave me this ugly lovely duvet and sheet set several years ago – the contrast will make the perfect muslin material.

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Muslin worthy duvet set, ready for the scissors!

Assuming this all works, I will need to figure out how to attach the skirt to the top of the dress from McCall’s 6696. First things first…

 

Which View to Choose?

I’m trying to make a big decision about my next sewing project, McCall’s 6696 – a very popular shirt dress pattern:

6696_cover

Here’s the line drawing:

6696line

Do you think I should do the full skirt or the straight skirt?

Here’s the thing. I have two RTW shirtdresses in the closet. Both are favorite garments. They both have full skirts, but the fullness is achieved with gores – they are not pleated. Because of my small waist to full hip, thigh and rear ratio, the silhouette happens naturally and probably doesn’t need pleats to help it along. The whole effect could veer a bit girly on me. I could, of course, reduce or eliminate some pleats.

The shape of View C and D seems sophisticated and sleek. I could wear this to work. But does it really suit me? I have no dresses like this, because anything sheath-like tends to make me look more pear-shaped. Of course, since I am making this to measure, I can do whatever I want! I would make the 3/4 sleeves of View D to help balance things out.

I have picked out some gorgeous lightweight denim for this dress. I am thinking about using the light “wrong side” creatively on the placket or something.

Finally, I have a dozen cool metal buttons to continue the “sew edgy” look.

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Suggestions and opinions welcome! Thanks!

I Hate to Put a Label on It, But…

I finally did. Behold:

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Style Arc Jasmine trousers – with my label.

It wasn’t easy.

This is my second pair of Style Arc Jasmine trousers, with custom-made labels I got at The Dutch Label Shop. I bought 100 of these labels back in December 2017. The cost was  $33.70, including shipping. (I bought them during a 30% off Black Friday sale. The normal price would have been $46 with shipping.)

I chose red – my favorite color – the Distaff name and my city, New Haven, Connecticut (USA). You can also choose a logo, and I decided after some hemming and hawing to put the astrological symbol for Venus on the labels too, just to drive home the whole “female” point.

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Custom-made labels – ready for projects!

I put the labels in a drawer in my notions and threads organizer. I looked forward to using them. And then I didn’t. I even used a label the Islay Woollen Mill gave me when I bought fabric there to hide my labels, so I wouldn’t have to think about them.

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Lonely labels

I can’t say WHY I didn’t use them. Sometimes I think it’s a bit of an affectation to put your own label on something. Sometimes I am not proud enough of a garment to label it. Sometimes I just don’t want to do the tiny bit of hand sewing necessary – lame excuse, I know.

This week I finally said the hell with it and promptly sewed a label onto three items. Besides the Jasmine pants, I sewed one onto this top from Vogue 9246.

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Label matching – oooh!

And the Osaka skirt from Seamwork Magazine:

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Labeled, bitches!

I am going to label everything from now on. Promise. Three labels down, 97 to go!

Sew Edgy Trousers

I am continuing to work on my “Sew Edgy” look for the office. Check out these trousers in black wool stretch twill:

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Not your everyday work trousers

(Sorry about the backdrop – our shittily stained fence is as close to “edgy” as my home looks.)

The trousers are a deep black, so it’s hard to see the detail, but trust me when I tell you the fit is just about PERFECT.

The pattern is Style Arc’s Jasmine trousers. This is my second pair. The first ones were pretty good, but I still needed to work out some fit issues. I also wanted to try different fabric, because the first pair, in a wool gabardine with 3% elastane are a little too stretchy. This time I used a black wool twill that I got at B&J Fabrics in New York. Gorgeous stuff! The fabric has 1% elastane for just a little stretch recovery.

I started again with the size 16 because the fit was perfect at the hips, and I took in the rest of the pants a bit from there:

  • 1 1/4 inches at the waistline
  • 1 1/2 inches at the waistband
  • Tapered the sides in 1/2 inch starting 1″ above the bottom of the pocket bags and ending at the knee. (The first pair tend to fit a bit like jodhpurs on me, given my waist-hip-thigh ratios.)
  • Sewed the entire side seams at 5/8 inch instead of 3/8 inch
  • Scooped out the back crotch 1/2 cm and extended the back crotch the same amount
  • Added 1 cm to the top of the center back of the yoke, tapering to nothing at the side seam, so the pants would not dip down a bit in the back.

I sewed a blind hem, hemming at the length the pattern comes in because I wanted to wear with patent-leather loafers for a menswear look. It’s a fine length for me, at 5’6″. I think they might be a bit long – we’ll see.

Also, this time I stay-stitched the back yoke curves because the last time that bias curve stretched out a bit during construction. And I tacked the pocket bag seam allowances down to the insides of the pockets to keep them in place.

One big fail, however, was the button. The pattern calls for one button in the waistband. Last time, I opted for a hook-and-bar closure instead. This time I wanted to do a button because I had a special one in my stash – a heavy gold button with an enameled black band around the outside. I like metal trims for work clothes as part of my Sew Edgy workplace look.

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I sewed TWO practice buttonholes on mocked-up scraps identical to the pants – same fabric and interfacing. They both came out great. When it came to the actual pants, however, no dice. The buttonhole went in wonky and started sewing in place. I ripped it out but accidentally ripped up the fabric of the pants a bit in the process. So now I had a hole in my fabric and no buttonhole. I adjusted the buttonholer to sew less densely and fast, and tried again. Same problem. I ended up doing two hook and bars on the inside and sewed the button as a faux button to the outside to cover up the little hole (which I darned closed). GRR! Tell me the truth – does the button look stupid?

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These pants are a TNT for me for sure! I am delighted to find a pair that fit and wear well yet have all the details of RTW trousers, such as a real fly and pockets. If you’re shaped like me – a bit of a pear – you may also like the way these work for you.

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Obligatory back view  complete with photobombing dog

I want to try a pair with some denim next to see if I can get a jeans look out of them.

Ending Me Made May with a Whimper

So, it’s been cold here this May. I’d love to lay some of my summery me-made fashions on you this month, but I didn’t want to freeze my ass off. I ended up repeating a few things, so no point in taking pictures again. I did manage a me-made item every day, even though I had a couple of migraines (thank you – me-made PJs and T-shirts).

Here are a few unique looks. First, for the office:

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Head-to-toe Me Made – Style Arc Creative Cate top, Muse Jenna cardigan and Vogue 1312 skirt
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Style Arc Jasmine pants in stretch wool gabardine
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Simplicity 1202 top made from Nicole Miller fabric

For that last one, I was not having a good day at work – or a good hair day, either – sheesh! I was also wearing navy gabardine pants from McCalls’ 6901, but I couldn’t be bothered to get a full shot. Sorry, not sorry.

Here are some looks for home office and weekend wear:

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Kwik Sew 3452 sweatshirt. Yeah it was that cold!
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Breton tee from the GBSB book
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Tunic from Happy Homemade Sew Chic – I finally took off the black lace at the sleeves. Dog still will not pose for selfies.

My favorite look of the last week:

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Tunic from Happy Homemade Sew Chic

I was headed out to a hair appointment and then a baby shower. The skirt is RTW from the Boden catalog. This was the one nice day all week. I made the most of it!

And my “finish weak” look to finish May:

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Cardigan of shame

This cardigan is from Happy Homemade Sew Chic. It was the first knit item I’d sewn in ages, and it’s pretty… rough. For starters, the high-contrast geometric print is only on one side, so it’s not a great choice for anything where the pale and plain wrong side shows. Then there’s the error in factoring in how the pleats would work at the neckline with the fabric – not symmetrical at all. And finally I sewed on this silver clasp (the style of which has nothing to do with the style of the fabric, or the style of the garment) because I thought it would look better if it closed in front. Sure. Whatever.

I finish weak because I believe in showing the good, bad and ugly of my creations. I am not someone who photographs every garment and look to perfection. And I certainly don’t sew everything to perfection, either!

Me Made May Week 3

Hi everyone – here are some quick Me Made May looks from week 3. So far, I have worn at least one Me-Made garment each day, sometimes head-to-toe looks. I am delighted that I have come this far, and I am confident I can finish out the month.

First, the rest of the looks from last week’s vacation, where the temperatures soared into the low 90s after starting the week in the 50s:

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Blouse from La Mia Boutique July/Aug 2018 and Maria Denmark Yasmin Yoke Skirt
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Lounging my the pool in the Tunic with Roll-up Sleeves from “Happy Homemade Sew Chic”
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Headed to a botanical garden in my poppy print top from Simplicity 1202 and Yasmin skirt
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The denim Yasmin skirt again, worn with an upcycled tablecloth top from Happy Homemade Sew Chic’s Tunic with Lace
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Dinner with my hubby in my Jalie drop-pocket cardigan and RTW dress

I went to the office yesterday and decided to dress up since I needed to get my head back in the game:

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Sewaholic Cordova jacket, Style Arc Creative Cate top and RTW pants in my office’s fancy elevator.

And then a couple of work-at-home days with suitably casual looks:

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The tunic top again, this time with the Seamwork Moji pants
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Planting spring flowers in a top from New Look 6330.

I notice that a few of my me-made items are nearing their expiration dates. This New Look top, for example, didn’t come out right and hasn’t worn well. The neckline is ripply and the hem is wonky. I wear it for things like exercising and working outdoors. Also, let’s face it, my upcycled tablecloth-turned-top is pretty funky (as was intended) but not a great look for me.

Likewise, that Cordova jacket is on its last legs. The zipper area is all rippled – I am not sure why but I suspect that the interfacing shrank when I had the jacket cleaned. It was always a little big, but it seems to be getting bigger as the years go by. I really need to make a new jacket for work.