I don’t know whether Fendi was prescient or callous, but suddenly a face mask is everyone’s must-have accessory to cope with COVID-19.
I made 12 myself this week, for nurse friends who have to work during this crisis. A homemade mask is quite literally better than nothing, as we in the United States can’t seem to get a supply chain of medical supplies going.
I used closely woven quilting cotton for these, following a pattern demoed by Deaconess Health. I only had enough elastic on hand to make 12, and some of that is lingerie elastic, so those masks are sexy AF.
The quilting cottons were left over from quilt projects I did 15 to 20 years ago. A table runner for my great-aunt. Baby quilts for nieces and nephews (who are ages 14 to 20 now). A wall hanging quilt gift for a friend’s wedding. It was bittersweet sewing these up. I’d help on to that fabric in hopes of making more quilts someday for the next generation. Maybe the fabric will save someone’s life instead, or at least put their minds at ease a bit during this crisis.
So much for my “Sew Edgy Work Wardrobe” plans for spring and summer. For who knows how long, I will be working from home, like a lot of people who are fortunate enough to be able to.
The #1 rule of working from home for me is to have something to look forward to after the workday is done. For me, that means creative outlets like sewing, gardening and cooking.
My “home” wardrobe is much more normcore than my work wardrobe. Plus I was in the mood for spring colors and textues. First up was this top from Butterick 6388.
It’s a bit boxier and roomier than the technical drawings and pattern pictures would lead you to believe. I ended up taking in the arm and side seams about 1/2 inch, and I made 3/4 sleeves for a more springtime look. I also did the triangular side panels and back yoke on the crossgrain to add some interest.
The fabric was from FabScrap, a charity in New York’s Garment District that sells scraps from fashion houses, schools, stores, tailor and upholstery shops etc. This scant 1.5-yard piece of very soft and comfy mystery poly knit cost $7.50. Sustainable to boot!
Since I had white thread in the serger, next up was a basic white T-shirt. Boring, ok, but likely a wardrobe staple I will wear for years.
I wanted to try the Deer & Doe Plantain t-shirt again. The one I made several years ago did not get much wear because the shirt was a little tight and the fabric didn’t have enough stretch. This time I sized up and used some really soft and lovely T-shirt fabric I got from the Portsmouth Fabric Company in New Hampshire while I was visiting my mom in January.
Unforch, this is a still bit tight. Grr. Maybe it will stretch out. Here’s hoping!
It should take no time at all to make a basic tee, right? So why does it take me forever? Faff about with the serger. Break a needle. Replace the needle. Untangle a nest of thread. Cut some clear elastic for the shoulder seams. Lose one piece of elastic. Hunt about on the floor for 10 minutes. Give up and cut a new piece of elastic. Then find the old piece, exactly where I left it in the first place:
The coverstitch hem is still a bit wonky. Whatever.
Third up will be … drumroll… a white cardigan. Hey – the white thread is in the serger. That’s saving me like 15-20 minutes right off the bat.
I got some slubbed French terry last summer and earmarked it for a try at the Helen’s Closet Blackwood Cardigan. Once that’s done, I will be ready for some color!
It’s been fun to do a “Me-Made January” so I can use some winter garments that wouldn’t be suitable for Me-Made May. The exercise also shed light on what to sew up this winter that will carry me into spring.
I put every me-made garment and accessory into a Google Sheets file and noted what I wore every day, with the plan to wear or use at least one me-made item daily. Here’s the result for the month:
(I did not count anything out of season or dressy where I had no occasion to wear it – only things that were suitable for season and occasion made the cut.)
The top most-worn items were coats:
McCall’s 7297 nightgown
My new Claryville jeans:
Oddly enough, this cardigan from the Japanese pattern book Happy Homemade Sew Chic, which is not chic and not my favorite garment in any way:
I wore this more than intended because I had draped it over my office chair and kept shrugging it on and off all month if I got a bit chilly or warm. I’ll put another cardi in its place for February.
And lastly, lingerie and accessories:
Green Pepper Snow Cap
Swoon Ethel Tote
Florence Bra from Seamwork Magazine
I worked from home more often than usual in January, so my “Sew Edgy” office looks didn’t make more than one appearance for the month (if that). I am going to wear a few neglected items to the office this month.
I reckoned with a few garments I just don’t like. I tried them on and intended to wear them, but then I took them off. The fabric, fit or construction were just … off. There may be no point in keeping them around. I’ll see how February goes.
Shoulder issues – the shirt is on grain. I am off grain.
Kwik Sew 3452
Upcycle knock-off of a $2,000 Monse coat
Also, a few things don’t fit. I guess I’ve gained a few pounds this winter. Maybe the “no-sugar challenge” will help me take the pounds off.
This exercise has informed my plan for sewing this winter into spring. First up, another pair of Claryville jeans. And another bralette – I wear the Florence and another RTW one around the house more than I’d realized. And I should make another, nicer handbag. That Ethel tote was a tryout using leftover denim – I could use better fabric and interfacing on another. I also noted that I wore my few T-shirts pretty frequently, so at least one seems to be in order (and is easy to do).
I am all set with coats and sleepwear for now – but I’ll want another set of PJs come spring/summer. This plan should keep me busy for now.
I took inspiration from my 1976 first-grade class picture to create a modern look with a 1970s twist, using all refashioned and upcycled materials. To check out other refashions, and to vote for your faves, visit The Renegade Seamstress Refashion Runway Season 5.
The 1970s were not a pretty decade style-wise – in fact, a true 1970s look should feel a bit sleazy and unappealing. So I tried to make something true to the era yet wearable for today.
I worked with these raw materials: old jeans from my husband, a vintage men’s shirt and old kitchen curtains with crochet edging.
Let’s start with the top! The colors exactly match the dress in my class picture, so I had to go for it. Also, paisleys were such a huge motif from that era in fashion. If you find any ugly wide neckties from the mid-1970s, I bet you $1 in 1970s money (about $6.60 in today’s money) that paisleys swirl around someplace on it.
This shirt is very well made, with flat-felled seams, darts and nice wide facings at the center front. But… it’s made of that notorious spun polyester fabric that disintegrates into fluff instead of unravels at the raw edges.
To make this man’s shirt more feminine, I started by cutting off the button and buttonhole plackets and unpicking the collar, then cutting down the center front on an angle using New Look 6498’s bodice pattern piece.
I harvested the crochet edge from these old kitchen curtains and sewed them to the raw center fronts, then sewed up the middle to join the design into something new. The lacy detail is a bit see-through – just enough for an adult look without being too much. The crochet makes a little collar at the back neckline – cute!
The sleeves needed help too. Puffy sleeves were in during the mid 1970s, so I cut off the cuff and sleeve plackets, folded over a generous edge, and made an elastic casing with about an inch for a hem. The elastic allows the sleeves to fit more closely with the volume I wanted for a 1970s look.
The skirt is a throwback to my youth as well. Skirts made from old jeans were all the rage back then. If you don’t believe me, visit any vintage store or trawl eBay and you’ll see tons of these skirts.
To be authentic, I needed to start with men’s jeans. That was the style back in the day – you’d make a skirt from your boyfriend’s old jeans. In this case, my husband supplied these jeans that had seen better days.
Making a skirt is pretty easy. Start by cutting off the legs at the length you want. Cut an inch or two longer than the intended finished length to allow for a hem, but leave enough length in the legs to use the leg fabric as center front and back pieces.
Next, cut off both inseams to the crotch line, then unpick a couple of inches front and back – be sure to leave the fly area in the front intact.
Next, prepare the leg pieces you trimmed off. Cut them apart at the inseam so they are one nice flat piece and position one in the front and one in the back of the skirt – there will be a lot of fabric overlapping – don’t worry you will trim that off later. The unpicked bit of the front and back crotch should fold flat on top and overlap a bit (if they are still curling a bit, unpick a bit more until they’re flat).
Pin at the crotch points and all along the wedges.
Don’t worry if the hem is a bit uneven – you’ll fix that later.
Now sew down the wedge pieces. I just sewed the wedge underlapping the sides because I like the raw edge look. Also, I was going to embroider it and didn’t want any bulk. After the wedges were in place, I trimmed the excess fabric from the wrong side. If you want to get all fancy, you could trim the wedges down first and sew them to the side pieces with a flat-felled seam.
Then try on the skirt and decide on a hem length. It’s best if you can get a friend to help you mark the length so it’s even all around. Turn and topstitch your hem, and you have a skirt!
To make this skirt go with the top and to add more design elements, I decided to embroider the wedge in a 1970s style motif using colors from the top. I started by running a line of embroidery alongside the seam where the wedges meet the front and back.
Then I added lines above and below that line – eight lines of embroidery in all. Make sure you have enough thread to spare before you tackle this!
Looks cute on too and coordinates with the top, a belt with a big ol’ silver buckle and boots:
It’s been fun! What’s your favorite decade for fashion?
The 1970s were an ugly decade. Let’s face it. There’s not much to root for. But for this week of Refashion Runway, we have to go there. Luckily, I have two advantages:
I was born in 1970, so I have some first-hand memories of the decade’s style and values.
2. My husband is a pack rat and has been storing ugly 70s clothes in our attic closet since we moved into this house 18 years ago.
Let’s get going!
These bags held so many treasures it’s hard to know where to start.
Should it be the plaid pants?
How about the Anderson Little brand (read: cheap-ass) polyester double-knit sportcoats?
Note the demi lining (also poly, natch) – would not be able to stand a whole lining because in poly double knit you sweat. Like. A. Pig.
This leather shirt is actually beautifully made and possibly valuable as it came from Saks Fifth Avenue.
I played around with it, but regrettably there’s not much material to work with. I am going to see what it’s worth on the resale market.
And finally, the jackpot:
The color story of this paisley print creepily reminds me of my school picture from 1977. I have to use it! No excuses!
It’s a man’s shirt, so I will need to feminize it a bit. I have some lace and crochet trims to play with from these old pillowcases and curtains. And I am going to make a 70s style denim skirt from a pair of my husband’s old jeans.
So that’s the plan. The outfit is due Friday.
If you haven’t checked out last week’s fabulous entries, please visit The Renegade Seamstress and vote for me if you think I’m worthy. Thanks!
I just love a high-contrast look to jackets, so when the first-round challenge of Refashion Runway Season 5 was “statement sleeves,” I knew I had a great opportunity to create some drama!
My jacket started life as a dress that a friend gave me. She didn’t like it, but she thought the linen-cotton blend fabric was nice and the print was cool. She gave me a challenge to refashion it. Challenge accepted! Here’s the before look – big, boxy and shapeless:
The fabric is rather stiff, so I began by washing and drying the dress a few times to change the fabric’s hand – it’s softer now but still crisp enough for a jacket.
I started by cutting the dress straight up the front and unpicking the neck facing.
The front was turned and topstitched to create a self-facing. Then I created a pleat at the center back to take up some of the fullness, so it would fit better.
I trimmed about 8 inches off the bottom to create a more pleasing length, leaving side vents about an inch long just for style. I used the fabric from the bottom to create the collar and pockets – nice big pockets perfect for holding a phone and keys.
I drafted the collar just by measuring the new neckline and tracing off a collar from an RTW shirt to get the basic shape, then adding a 1/2 inch seam allowance. I cut the same in red so that the collar is two-tone.
The red contrast came from a rain jacket with a broken zipper that I bought at Goodwill/ I was delighted to find something in a red with blue undertones:
I love the combo of red, white and blue – red is my favorite color and it it always delivers a nice pop!
I cut off the jacket’s cuffs to reuse them in the new jacket.
I tried several ways to work these in to the blue and white jacket, but nothing was gelling – I didn’t want them to look tacked-on but rather integrated into the jacket as an essential piece of the design. So I instead used the red as a contrast in the cuff. I sewed the cuffs so that they can be worn turned back for max drama or turned in for just a peek of color.
To continue the theme to another part of the jacket, I thought to add a button feature to the collar so that I can wear a bit of the red exposed or not, depending on my mood.
Here’s a flat view of the jacket, with the center-back pleat and my label showing.
And here’s the back view – love the cuffs!
Voting is supposed to start today. Please visit The Renegade Seamstress for a look at all the entries, and if you like what I’ve done, I’d love your vote!
Refashioning or upcycling textiles into new designs has been really fun and satisfying, so I resolved to push myself more in 2020. Here’s a gallery of projects from the past couple of years:
The tunic top again, this time with the Seamwork Moji pants
Upcycle knock-off of a $2,000 Monse coat
I didn’t have to wait long. I was chosen to compete on “Refashion Runway” – a friendly sewing competition sponsored by Beth Huntington, aka “The Renegade Seamstress.”
Yikes! There are 15 contestants who have put up some fabulous looks using textiles that had a previous life. Here’s a rundown of the competitors with some of their choice refashioned looks. I am so impressed with how these sewers combine textiles and shapes to create something super cool.
While I am no slouch in the sewing department, my refashioned looks have been a bit, shall I say, basic? I have upcycled and refashioned mostly large flat pieces of fabric, such as a sari, a blanket and not one, but two tablecloths. My most ambitious project was creating a nightgown out of an old bathrobe, and while I like how this project turned out, it’s not exactly a garment I wear on the street. In public. Or even in a photo on this blog.
So, I gotta step it up.
The first project, which starts January 18th, is “Statement Sleeves.” We were given the basic challenge parameters in advance, so we could start planning. There are few guidelines for each challenge; we’re meant to interpret it for ourselves. I assume this challenge means we need to create a big, showy sleeve in an refashioned garment. Statement sleeves broke through as a trend a few years ago as a kind of antidote to the sleeveless look of the early 2010s. It’s still going strong, to judge from all the ruffles, puffs, pleats, cutouts and other sleeve designs you see out there.
I really like a dramatic cuff on a sleeve, so that’s my jumping-off point.
In my closet, several misfit discarded garments wait for their chance to shine. That’s your cue, awkward linen dress!
My friend Emmeline gave me this dress last summer. She wore it once but found it … just … not … her cup o’tea. But the fabric was nice, so she gave it to me with encouragement to refashion it.
The first thing I did was to wash and machine dry it with other laundry three times to soften the linen-cotton blend up and to let any shrinking get nice and shrunken. Trying it on, you no doubt notice a few pros and cons:
I like a high-contrast print, which this for sure provides in navy and white.
It’s big and long enough to give me some fabric to work with.
There are no darts or zippers and few seams to complicate a refashion project.
The hem and sleeve hems are split, offering some design change opportunities.
I am not crazy about the “junior high school art teacher” swishy brushstroke motif.
It has no lining, and the “wrong side” of the fabric looks pretty bad, as the navy bleeds through.
The neckline is awkwardly proportioned and has a crummy facing.
The fabric remains a bit stiff and ungainly despite three journeys in the washing machine and dryer.
Clearly, this is not going to work as a dress, no matter how it’s refashioned.
My big idea is to turn it into a duster-style jacket. I think I will cut it right up the middle, self-face the raw edges, recut the neckline and add some darts for shaping, front and back. Maybe a contrasting lining? It will need some help as the wrong side will be on display even more as a jacket.
But what about the sleeves? That’s the whole point of the challenge. I am thinking a cuff – in the same contrast as the lining – with some accent hardware or other bling to edge this look up a bit.
I had nothing suitable in my closet of misfit garments, so it was off to Goodwill to see what they had.
This red rain jacket has a lot to work with as it’s fully lined. The zipper was broken, which is probably why someone donated it. And it has a cute drawstring in the hood, which can be repurposed easily.
Red is my favorite color! And the contrast with navy and white will look chic (I hope).
I have a good week to play around with my ideas before the contest starts. Wish me luck!
Addicted to sewing since the 70’s – Sewing Blogger since 2013 – Enjoying a #RTWFAST and Creator of #DESIGNINDECEMBER since 2015 – Designing Handbags and Accessories and PDF Sewing Patterns for bags and accessories at #LANYOSHANDMADE since 2018 – Lover of vegan, sustainable, repurposed and up-cycled projects – I want to try everything, learn everything and talk about it with you!