I’ve finished my quilt. It’s a hot mess, just like the women’s movement I’m honoring – in a good way.
The quilt is made of four modules, each using only fabrics, threads, batting and other materials I had in my stash. Many letters were scraped together from scraps of projects as far back as 20 years ago. I chose colors for each that were opposites on the color wheel, both to symbolize conflict and to make the letters stand out more against the background. The pattern is “The Proverbial Quilt” by Denyse Schmidt.
The textiles are mostly quilting cottons, but there are scraps of ultrasuede, silk, linen, African wax print, brocade, batiks, denim, shirting and upholstery fabrics in there too. Each quilt contains some fabrics that have metallic accents, and each has a bit of an overall rainbow-gradient fabric to tie them together. I 100% used stash fabric, batting and thread – truly a sustainable project. This meant that I had to compromise a bit on some fabrics and colors. Compromise is meaningful – some fabrics a teenage girl would like, some fabrics my grandmother would like, and all kinds in between. Kind of like the women’s movement. We don’t have to love every piece of it; we just need to love the overall message and the energy that sustains it.
I call the pink and green one “Preppy Is Forever,” because this color combo was big during the preppy fashion fad in high school. It’s for a friend who’s a bit preppy.
It was a little challenging to make this one because I didn’t have a lot of pink or bright green/lime fabrics in my stash. I resorted to some charm squares leftover from a quilt I made my nephew 14 years ago.
You can see the echo quilting pretty well on this one – I stitched in the ditch along the letters in lime green thread and then echoed those stitches out 1 cm to the end of the quilt.
I call the orange and blue one “Sunrise to Sunset.” It’s for a friend who’s had a lot of physical, emotional, financial and relationship challenges in her life – she works every day against some major obstacles to keep going.
The orange, gold and lilac African Dutch wax fabric in here is leftover from a quilt I made for her 20 years ago. She lost it in a fire at her house last year. I am happy I still had a bit to use again. I was short on orange fabrics so I had to use a bit of coral. And I didn’t have enough to do the binding all in one fabric, so it’s pieced.
The purple and gold one is the prettiest, I think.
It’s titled “Family Endures” because most of the fabric came from family sewing projects over the years – scraps from niece’s and nephew’s quilts and Halloween costumes, a vest I made my mother, a craft project for a great-aunt, a quilt I made a cousin for her wedding, a Hanukkah table runner I made for my in-laws, linen pants made for myself, our Christmas tree skirt, fabric from kitchen curtains and placemats I made when I first was married. It’s a gift for my sister.
The final one, titled “Blow Through Stoplights” was for me:
The color scheme matches my sewing room and I had planned to hang it on the wall above the shelf where I keep my threads, manuals, buttons and whatnot.
But then a friend called me and she was really down. So I decided to give it to her instead. I’ll miss it, but I can always make another for myself. I still have scraps to spare, but not as many!